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The Bargain Nexus - Third

Third
List Price: $13.98
Our Price: $8.22
Your Save: $ 5.76 ( 41% )
Availability: Usually ships in 24 hours
Manufacturer: Mercury
Average Customer Rating: Average rating of 4.0/5Average rating of 4.0/5Average rating of 4.0/5Average rating of 4.0/5Average rating of 4.0/5

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Binding: Audio CD
EAN: 0602517664005
Label: Mercury
Manufacturer: Mercury
Number Of Discs: 1
Publisher: Mercury
Release Date: 2008-04-29
Studio: Mercury

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Spotlight customer reviews:

Customer Rating: Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5
Summary: 4.5 stars
Comment: It's been almost 11 years since Portishead released their last self-titled album (I'm not counting Roseland NYC Live). The three member group of Adrian Utley, Geoff Barrow and more prominent Beth Gibbons have been often credited with making the trip hop genre more mainstream. Originating out of Bristol, UK, Portishead introduced their hometown sound to the commercial radio waves in 1994 with Dummy. With downtempo hip-hop beats, a touch of turntablism, and Gibbons' staple vocals, Portishead instantly created their own style and with that came a vast following. It's no wonder then, that when appropriately titled Third album hit the shelves, it was snatched with a hunger. Prior to the album's street date it was released on last-fm and attracted over 327,000 listeners within 24 hours. On Third, Portishead experiments in a darker territory, a bit brooding and at times almost industrial in nature, while rewarding the listener with a familiar voice. There are many unforgettable moments on the album when you find yourself go "what" and "nice". Perhaps there is not much revolutionary on Third for some, and they may not feel justified for the waiting period. Nevertheless you can't just let it slip by. Portishead remains a favorite and after consecutive rotations, Third climbs to the my list of "Best of 2008 so far..." I still love and play the first two albums. (Gibbons also released a solo album titled Candy Says in 2003).

Customer Rating: Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5
Summary: REALLY BAD
Comment: U WAIT SO LONG FOR A NEW ALBUM FROM PORTISHEAD ....AND THEY DROPPED THE BALL ....ONE GOOD SONG ....AND MAYBE ONE OTHER OK SONG....

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Excellent album
Comment: Portishead is back with an album that is well worth the wait. Truly unique music as I haven't heard in years. One listen to "The Rip" should convince you. Highly recommended.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Great for the fans
Comment: It's a short album, but it's okay. This is a compact album with a lot of familiar tones that are expected from Portishead, but they do branch off with new ideas and unchartered waters. For those who have not yet heard Portishead, then I strongly suggest holding off from this album until you hear their first two.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Deconstructing portishead
Comment: Revisiting themselves, this band make a fresh and sharp look to this new era of boredom nihilism


Editorial Reviews:

Portishead's Third has been a long time coming, the result of a lengthy creative torpor following 1997's dark, distinctly underrated album Portishead. Importantly, though, they've shaken it. While the core trio of Beth Gibbons, Geoff Barrow, and Adrian Utley remains, this is quite a different band to Portishead's 90s incarnation: gone is the slo-mo turntable scratching and smoky jazz feel, replaced by heavy, brooding rhythms, vintage-sounding electronics, and spindly guitar. Still present, though, is that sense of emotional fracture and deep gloom. "Silence" opens with a dense drum loop which suddenly falls away to reveal Gibbons' voice, cold but magnificent: "Wounded and afraid, inside my head/Falling through changes". "Nylon Smile", meanwhile, is a fine example of Third's occasional folksy edge, an acoustic song reminiscent of Leonard Cohen that, around its midpoint, lifts off on a propulsive electronic rhythm, Gibbons holding one clear, hard note as synthesisers bubble beneath. At times, it's a harsh and foreboding listen: the electronic drums of "Machine Gun" might put off the listener hoping for smooth dinner party fare. But Third is a brave and forward-thinking return, and one great enough to justify its lengthy gestation. --Louis Pattison


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